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Saint Mary's College Museum of Art, Moraga, CA. <solo exhibition>

Festival of (In)appropriation: Simon Fraser University, Harbour Centre, Vancouver; University of California Santa Barbara, Pollock Theater.
Visible Evidence XXIII, Special Events: Festival of (In)appropriation, Documentary Edition, Bozeman, MT.
Moving Image Art, Comfort Station, Chicago, IL.
Unexposed Microcinema, Durham, NC.
Short Circuit: Experimental Documentary Short Films, Brighton, UK.
Locate Iran, Ko Projects, Dubai.
Festival of (In)appropriation: LA Filmforum, Los Angeles, USA; Essay Film Festival, ICA, Birbeck, University of London, UK; Western Washington University/Limelight Cinema, Bellingham, WA;Metro Cinema, Edmonton, AB, Canada; Hobart and William Smith Colleges, Geneva, NY; Northwest Film Forum, Seattle, WA; Syracuse University, Syracuse, NY; Block Cinema, Northwestern University, Evanston, IL; Spectacle Theater, Brooklyn, NY.

Sazmanab Center for Contemporary Art, Tehran, Iran. <solo exhibition>
Chicago Underground Film Festival, Logan Theatre, Chicago.
Iranian Studies Program, Stanford University, Palo Alto.

Cine Experimental Norteamericano, Havana, Cuba.
The Picture Show, Brooklyn.
Contemporary Art Ruhr, DL Booth, Essen, Germany.
Australian International Experimental Film Festival, Melbourne, Australia.
Berlin International Directors Lounge, Berlin, Germany.
Black Maria Film Festival, US touring show. <Director's choice: third prize>
Arab Film Festival, 'Arab Shorts,' Roxie Theater, San Francisco.
[bOX] Gallery, Visual Container Milan, Italy.
Vaska Emanuilova Gallery, Sofia, Bulgaria.

Ozon International Video Art Festival, Katowice, Poland. <First prize>
Vermont International Film Festival, Burlington, Vermont.
Kedainiai Regional Museum, Lithuania.
Vilna Gaon State Jewish Museum, Lithuania.
Videoholica Video Art Festival, Varna, Bulgaria. <Finalist>
UFVA, Chapman University, Orange, California. <Top prize: video installation>
Kala Art Institute, Berkeley, California.
ISAFF, Saint Petersburg, Russia.
Center for Contemporary Art, Tbilisi, Georgia.
Carnival of E-Creativity, Uttarakhand, India.
Warsaw Jewish Film Festival, Poland.

Cologne Experimental Documentary Film Festival, Germany.
XFILM: TVS, Sydney, Australia.
KLEX Experimental Film Festival, Kuala Lumpur, Malaysia.
The Journal of Short Film (vol. 26), Ohio.
Shoah Film Collection, VideoChannel, Cologne, Germany.
ASPECT: The Chronicle of New Media Art, Boston.
Mena Experimental, ATA, San Francisco.
Trauma, Desire, Otherness; City University of Hong Kong, SAR.
Berlin International Directors Lounge, Berlin, Germany.
Asian Cinema Studies Society Conference, Hong Kong University, SAR.

National Taiwan Museum of Fine Arts, Taichung, Taiwan.
Festival of (In)appropriation: LA Filmforum, Egyptian Theatre, Los Angeles; Carsey-Wolf Center, Pollock Theater, UCSB; Society of Cinema & Media Studies.
Antimatter Film Festival, Victoria BC, Canada.
Panoptic: New Media, Camden Internat'l Film Festival, Maine.
Sydney Underground Film Festival, Sydney, Australia.
ATA Film|Video Festival, San Francisco, California.
Ars Cameralis, Katowice, Poland.
{SønikFest}Synthetic Zero, BronxSpace, New York.
Australian International Experimental Film Festival, Melbourne, Australia.
Videonale 13, Kunstmuseum Bonn, Germany.
The Silence of Politics, BAck doOR Gallery, Melbourne, Australia.
Foreign Language Association of Northern California conference, UC Berkeley.
University Film & Video Association conference, Champlain College, Vermont.

University Film and Video Association Conference, University of New Orleans.
Les Rencontres Internationales, Berlin: Haus der Kulturen der Welt.
Universidad de los Andes, Bogotá, Colombia. <Invited guest artist>
Les Rencontres Internationales, Madrid, Spain: Complejo El Aguila, the Auditorio del Ministerio de Cultura, the Museo Nacional Centro de Arte Reina Sofia, the Instituto Cervantes and the Filmoteca Espanola.
Moving Baltic Sea Festival, St. Petersburg, Russia.
Graduate Multimedia Forum, California State University, East Bay.

Museo de Arte, Biblioteca Luis Ángel Arango, Bogotá, Colombia. <Invited guest artist>
Les Rencontres Internationales, Centre Pompidou, Paris, France.
Universidad del Magdalena, Santa Marta, Colombia. <Invited guest artist>
DO Gallery, St. Petersburg, Russia. <Invited guest artist>
OPEN Cinema International Film Festival of Short Films, St. Petersburg, Russia. <Experimental film prize>

21 Grand Gallery, Oakland, California. <Invited guest artist>
Exploding Head Gallery, Sacramento, California.
Addison Street Window Gallery, Berkeley, California.
Berkeley Community Media, Berkeley, California.

Cinema Department, Humboldt State University, California. <Invited guest artist>
Eastman Kodak Center, Rochester, New York.
InterMedia Arts Festival, Aronoff Center for the Arts, Cincinnati, Ohio.
Motion Pictures Department, Wright State University, Dayton, Ohio.
Colorado College, Colorado Springs, Colorado.

Art in General, New York City.
Art Institute of Chicago, Illinois.
Artists Space, New York City.
Emerson College, Boston, Massachusetts.
New College of California, San Francisco.
New York University, New York City.
North Carolina School of the Arts, Winston-Salem, North Carolina.
Offline Distributions, Ithaca, New York.
Venue 9, San Francisco, California. <Resident artist, solo shows>
Video Space, Boston, Massachusetts.
Z-Space Gallery, San Francisco, California.

Cinema Department, University of Denver, Colorado.
Other Cinema, Artists' Television Access, San Francisco.
PBS WYBE Channel 3, Philadelphia, Pennsylvania.
SOMAR Gallery, San Francisco.
Center for Cultural Studies, University of California, Santa Cruz.


The Journal of Short Film (Vol. 26).

Shoah Film Collection, VideoChannel, Cologne, Germany.

The Israeli Center for Digital Art, Tel Aviv, Israel.
Selected works in video.

LA Filmforum: Festival of (In)appropriation (DVD)

ASPECT: The Chronicle of New Media Art (Vol. 3: txt+img).

Videonale, Kunstmuseum Bonn, Germany.

University of the Andes, Department of Fine Art, Bogota, Colombia.
Selected works in video.

Wright State University, Motion Pictures Department.
“Impulse of Objects.”

New York University, Bobst Library.
“Foreign Film.”

Art Institute of Chicago.
“Foreign Film.”

University of Denver.
“Is Essential.”

University of Denver.
“What You Thoughtlessly Discount.”

Universität von Göttingen, Germany.
“Word But Image: Literary Studies, Mystification, and the Image of the Word.”


PhD, MA: University at Buffalo.
Distinction awarded for comprehensive oral exams.

AB: University of California at Berkeley.
Magna cum Laude.

American University in Cairo, Egypt.
Cambridge University, United Kingdom.


2015-Present: Professor in Art Theory + Practice
2010-2015: Associate Professor in Art Theory + Practice
2007-10: Assistant Professor in Art Theory + Practice
2008-11, 2014-Present: Department Chair
Art and Art History Department
Saint Mary's College, Moraga, California.

Lecturer in Electronic Art
Department of Art
California State University, East Bay
Hayward, California.

Lecturer in Multimedia
Multimedia Graduate Program
California State University, East Bay
Hayward, California.

Full-time Faculty, Digital Video Arts
Multimedia Arts Program, Berkeley City College (Vista College), Berkeley, California.
Tenure granted Spring 2005:
Distinction awarded for outstanding teaching and professional service.

Department Chair
Multimedia Arts Program, Berkeley City College (Vista College), Berkeley, California.

Mentor in Video Art
MFA Program, JFK University, Berkeley, California.

Adjunct Faculty, Humanities, English, Art & Multimedia
Berkeley City College (Vista College), Berkeley, California.

Artist in Residence
Venue 9, San Francisco, California.

Scholar in Residence, Post-Doctoral Fellow, Research Associate
Center for Cultural Studies, UC Santa Cruz.

California College of Arts & Crafts, Oakland, California.


Trauma Desire Otherness, edited by Peter Freund, Hong Kong Society of Psychoanalysis, 2013. Contributions: 'Introduction: The Failure of Shared Inquiry' and 'Art, or the Perverse Ethics of the Lapse.'

'Film and the Problem of Witnessing' review of Film and Genocide (edited by Kristi M. Wilson and Tomás F. Crowder-Taraborrell), published in Latin American Perspectives, Vol. 39, issue 6.

'Giri Chit Ginza,' review of film by Simon Tarr, published in Journal of Film and Video (Vol. 63, No. 3: Fall 2010).

'Camp Terezin,' review of film by Alexis Krasilovsky, published in Journal of Film and Video (CD-ROM Issue, Fall 2000).

‘The Eye in the Object: Identification and Surveillance in Samuel Beckett’s Screen Dramas,’ published in Journal of Film and Video, Spring.

‘Buster Keaton’s Cops or Robbers: Inside and Out,’ in On Film Theory: Indeterminacy in Film. Buffalo: Literature and Philosophy Papers IV.